Jeremy Galyon, at a Glance
Singing both Bass and Bass-Baritone repertoire, Mr. Galyon has proven to be a versatile singer of Opera, Oratorio, Concert, Sacred, and Recital.
2017 - 2018.
Rossini Semiramide will be an HD broadcast from the Metropolitan Opera, I am excited to return to the main stage as the Ghost of Nino.
The Exterminating Angel, Thomas Adés composer and conductor, was an explosive hit at the Metropolitan Opera. It was a distinct pleasure to be connected to the production, covering Julio the Butler.
The Das Rheingold scheduled in Ft. Worth was withdrawn for budget and administrative change over. I am hoping to find another engagement with them soon.
2016- 2017 Jeremy Galyon sang Sarastro in Mozart Magic Flute with Rapides Symphony Louisiana, Morosus in Strauss Silent Woman with Opera Theater Summerfest Pittsburgh, Commendatore and Masetto in Mozart Don Giovanni with New Orleans Opera, Fasolt in Wagner Das Rheingold with Minnesota Opera, Osmin in Mozart Abduction from the Seraglio with Dayton Opera, as well as covering in Strauss Salome and Der Rosenkavalier at the Metropolitan Opera.
He has sung Sarastro with Utah Opera and Symphony, Dayton Opera, "family version" with San Francisco Opera.
He returned to Summerfest Pittsburgh PA after 2015 debut as La Roche the Director in Strauss Capriccio to great success and glowing reviews, as well as Bartolo in Mozart Marriage of Figaro.
He sang in New Orleans after working with Robert Lyall in Grand Rapids MI also singing Commendatore and Masetto.
Minnesota Opera is a company debut as well as a role debut. His Rheingold opera debut came with Pacific Opera Victoria B.C.
Mr. Galyon made his Metropolitan Opera debut in 2009 as Alessio in La Sonnambula. He also sang in Billy Budd, Ernani, Madame Butterfly, Nabucco, Rigoletto, Gianni Schicchi, Rosenkavalier, and several covers.
Osmin has been a wonderful role to show many facets of Mr. Galyon's performing; it is quite demanding in duration ( aria, duet, aria, trio, duet, duet, aria, and Vaudeville) as well as range (F above middle C to D below the bass clef). He made the role debut with Midsummer Mozart Festival and Opera San Jose, then sang it with Berks Opera Reading PA before Dayton Opera.
He sang Notary as well as Polizeikomissar in Der Rosenkavalier with San Francisco Opera during Adler Fellowship (opera residency Jan 2006- Dec 2007), then sang Polizeikomissar at Metropolitan Opera and will return to cover in 2016.
Galyon made his Avery Fisher Hall NY debut in Mozart Coronation Mass with DCINY.
He has sung multiple features at Carnegie Hall with MidAmerica Productions, including John Rutter conducting Rutter Mass of the Children, Mozart Requiem, Brahms Requiem, Handel Messiah, Monteverdi Gloria (debut), and others.
Galyon was the Bass soloist for Dvorak Stabat Mater with Chorus of Westerly R.I. and toured Vienna, Prague, and Budapest July 12-22 2014.
Other notable concert performances include Bach Christmas Oratorio and Handel Messiah at the Palacio de Belles Artes with National Symphony of Mexico in Mexico City, Verdi Requiem with National Symphony of Costa Rica, Handel Messiah with Houston Symphony & with Colorado Symphony, Mozart Thamos King of Egypt and Varese Ecuatorial with San Francisco Symphony, Mozart Concert Arias with Midsummer Mozart Festival Berkeley CA, many Bach Cantatas and most standard concert repertoire nationally.
2017 - 2018.
Rossini Semiramide will be an HD broadcast from the Metropolitan Opera, I am excited to return to the main stage as the Ghost of Nino.
The Exterminating Angel, Thomas Adés composer and conductor, was an explosive hit at the Metropolitan Opera. It was a distinct pleasure to be connected to the production, covering Julio the Butler.
The Das Rheingold scheduled in Ft. Worth was withdrawn for budget and administrative change over. I am hoping to find another engagement with them soon.
2016- 2017 Jeremy Galyon sang Sarastro in Mozart Magic Flute with Rapides Symphony Louisiana, Morosus in Strauss Silent Woman with Opera Theater Summerfest Pittsburgh, Commendatore and Masetto in Mozart Don Giovanni with New Orleans Opera, Fasolt in Wagner Das Rheingold with Minnesota Opera, Osmin in Mozart Abduction from the Seraglio with Dayton Opera, as well as covering in Strauss Salome and Der Rosenkavalier at the Metropolitan Opera.
He has sung Sarastro with Utah Opera and Symphony, Dayton Opera, "family version" with San Francisco Opera.
He returned to Summerfest Pittsburgh PA after 2015 debut as La Roche the Director in Strauss Capriccio to great success and glowing reviews, as well as Bartolo in Mozart Marriage of Figaro.
He sang in New Orleans after working with Robert Lyall in Grand Rapids MI also singing Commendatore and Masetto.
Minnesota Opera is a company debut as well as a role debut. His Rheingold opera debut came with Pacific Opera Victoria B.C.
Mr. Galyon made his Metropolitan Opera debut in 2009 as Alessio in La Sonnambula. He also sang in Billy Budd, Ernani, Madame Butterfly, Nabucco, Rigoletto, Gianni Schicchi, Rosenkavalier, and several covers.
Osmin has been a wonderful role to show many facets of Mr. Galyon's performing; it is quite demanding in duration ( aria, duet, aria, trio, duet, duet, aria, and Vaudeville) as well as range (F above middle C to D below the bass clef). He made the role debut with Midsummer Mozart Festival and Opera San Jose, then sang it with Berks Opera Reading PA before Dayton Opera.
He sang Notary as well as Polizeikomissar in Der Rosenkavalier with San Francisco Opera during Adler Fellowship (opera residency Jan 2006- Dec 2007), then sang Polizeikomissar at Metropolitan Opera and will return to cover in 2016.
Galyon made his Avery Fisher Hall NY debut in Mozart Coronation Mass with DCINY.
He has sung multiple features at Carnegie Hall with MidAmerica Productions, including John Rutter conducting Rutter Mass of the Children, Mozart Requiem, Brahms Requiem, Handel Messiah, Monteverdi Gloria (debut), and others.
Galyon was the Bass soloist for Dvorak Stabat Mater with Chorus of Westerly R.I. and toured Vienna, Prague, and Budapest July 12-22 2014.
Other notable concert performances include Bach Christmas Oratorio and Handel Messiah at the Palacio de Belles Artes with National Symphony of Mexico in Mexico City, Verdi Requiem with National Symphony of Costa Rica, Handel Messiah with Houston Symphony & with Colorado Symphony, Mozart Thamos King of Egypt and Varese Ecuatorial with San Francisco Symphony, Mozart Concert Arias with Midsummer Mozart Festival Berkeley CA, many Bach Cantatas and most standard concert repertoire nationally.
He is managed by Lombardo and Associates. Please contact them at
61 W. 62nd st, Suite 6F
New York NY 10023
212.586.4453
www.lombardoassociates.org
